The reason I know a smidgen about comics: I hang out with a lot of geeks. Feminist, sex-positive, queer-friendly geeks. They told me the backstory of Wonder Woman’s creator, William Marston, radical psychologist and happy polyamorist. Jill Lepore explored Marston’s home life in “The Secret History of Wonder Woman,” but Chicago-based culture and comics writer Noah Berlatsky took a deep dive into the marriage of psychology and artwork that is Marston’s enduring pop culture impact.
Even comics skeptics find Wonder Woman unique and titillating. As Berlatsky rightly points out, she’s been a feminist icon for decades, and among certain circles, a kinky queer one. (Lasso of truth? Ladies-only island? Hmm…) Berlatsky illuminates how Wonder Woman—of World War II inception—nods at that era’s values yet still espoused female superiority and pacifism, slyly winked at lesbianism and even may have stood traditional rape and incest narratives on its head. He also focuses appropriately on the artist, Harry Peter, as well as Marston, and shows how even Peter’s idiosyncratic perspective and anatomy bolster the argument that the series was ahead of its time. Read the rest of this entry »
Breakup stories, as a genre, have become as clichéd and overdone as their inverse, love stories. Dear John/Jane letters, lipstick-smudged collars, and clothes piled up and doused with bleach have become the tell-tale signs of love affairs that have run their course. Yet writers with sagacity and wit can sidestep such been-there, done-that tropes and elevate the breakup story to new levels. In Michael Czyzniejewski’s short-fiction collection “I Will Love You for the Rest of My Life: Breakup Stories,” readers zigzag through the demise of one relationship after another, some of them long-term romances, others missed connections that crash and burn even before they begin.
Tragicomic incidents involving public masturbation, a lethal peanut butter sandwich, apocalyptic plagues, and Meryl Streep’s breasts open gateways into the pathos that calls out for recognition when a relationship, regardless of its depth or duration, hurdles toward dissolution. Czyzniejewski exhibits an enviable knack for black humor, combining the scathingly urbane with the wickedly boorish, all through a lens that shifts kaleidoscopically from naturalism to postmodernism to magic realism and beyond. Read the rest of this entry »
Audrey Petty and Mitchell S. Jackson/Photo: Ben Bowen
By Kim Steele
For a literary festival like Columbia College’s Story Week to remain relevant for nineteen years is quite an accomplishment. This year, it succeeded once again by emphasizing the important and unique relationship between literature and current events; demonstrating that literature is a catalyst for all of us to discuss what is happening in the world around us.
In fact, this year’s theme, “The Power of Words” is, in part, a reaction to the violence in our city and world in the past few months. Eric May, the artistic director of Story Week and an associate professor in creative writing at Columbia, notes how the desire to remain pertinent influences which authors they host as well as the focus of the various panels. In fact, the panel “Fighting Violence: The Power of Words” addressed the relationship between violence and literature head on. It featured Kevin Coval (the author of “The BreakBeat Poets” and the founder of Louder Than A Bomb), Mitchell S. Jackson (“The Residue Years”), Audrey Petty (editor, “High Rise Stories”) and Miles Harvey (editor, “How Long Will I Cry?”). Read the rest of this entry »
Photo: Luis Perez
For Humboldt Parker Lily Be, life is not just a menagerie of thrilling, touching and rip-roaringly hysterical stories. For Lily, it’s personal. And it comes with tamales.
Lily has been a fixture in the storytelling community since 2009. In addition to founding her own show, “Stoop-Style Stories” in August of 2012 with co-host Clarence Browley, Lily has thrown herself into the storytelling scene. She has been featured in an array of programs such as “Do Not Submit,” “I Shit You Not,” “Guts & Glory” and “Essay Fiesta,” to say nothing of countless open mics and appearances on Vocalo and WBEZ, until her appearance at The Moth propelled her into the spotlight, leading to a hands-down victory at The Moth’s StorySLAM competition at the Park West in June of 2013. She was the first Latina to win the competition. Read the rest of this entry »
By Toni Nealie
I struggle to write when I sit at my desk for too long. My students freeze when stressed. Chicagoans pine for sun in winter. “How the Body Knows Its Mind” resonated with me because it identifies the science behind what we feel and suggests simple changes to improve our lives. I caught up with neuropsychologist Sian Beilock after her week of presentations around the country.
What was the impetus for the book? How does it follow the work that you did on human performance in your previous book “Choke”?
I think everyone thinks of the mind as telling the body what to do — our thoughts, our feelings, our learning, our ability to perform — reside in our head. As I started doing research for “Choke” I realized what we do with our bodies and our surroundings have a big impact on how we learn and how we feel. No one was really telling that story. Everyone was telling the story about what happens inside our head. There’s a great story to tell about some simple things we can do to feel better, perform better and learn better if we understand a little bit of the science. Read the rest of this entry »
Emily Gray Tedrowe/Photo: Marion Ettlinger
“Blue Stars,” the new novel by Chicagoan Emily Gray Tedrowe, presents us with an original prism through which to view the complexities of military life. As the sister of a military man herself, Tedrowe is intimately familiar with the struggles of those who are left behind during war. “While he was there, I didn’t want to think or write about the experience,” Tedrowe says of her brother’s service. “When he returned, I started to think about those on the home front.”
To those of us outside its ranks, the military and its members tend to be viewed in absolute terms: the organization must be supported at all costs, and those who volunteer are considered noble and beyond reproach. Those who do not support the military’s mission or who question it in any way are regarded as unpatriotic. Tedrowe’s novel successfully questions the wisdom of these two-dimensional notions through a rarely considered angle, the women waiting at home during war in the digital age, and their experiences after the fact. “Blue Stars” presents the reader with the stories of two women in military families during the Iraq War who possess very human strengths and flaws. Read the rest of this entry »
Lindsay Muscato and Write Club Overlord Ian Belknap/Photo: Evan Hanover
By Adrienne Gunn
Write Club, Chicago’s pre-eminent storytelling brawl that pits two writers with opposing themes against one another in front of a live audience, has collected its funniest and most badass bouts into a new anthology, “Bare Knuckled Lit: The Best of Write Club.” The live show, taking place in Chicago on the third Tuesday of every month at The Hideout, prides itself on high-intensity, no-holds-barred matches. How does “Bare-Knuckled Lit” compare? Write Club founder and “overlord” Ian Belknap says, “It’s the difference between hunting on a game preserve, and hunting in the wild; between a fencing match, and a fistfight in a gas station parking lot.” Read the rest of this entry »
“The Girls of Usually” is Lori Horvitz’s debut, bite-sized chunks of memoir from a woman of many places. Now an English professor in North Carolina, Horvitz would periodically interrupt her New York City life in her twenties to traverse Europe. Those twenties were edgy politically and personally. Burdened with a Communist sometimes-boyfriend, living in an AIDS-ravaged neighborhood, Horvitz slowly realized her burgeoning lesbian identity, complicated by her youth.
Her essays stay brief when dealing with her childhood and mid-twenties, growing longer with age and importance. Characters and objects illuminate Horvitz’s history and locale. Communist Russia is defined by blonde, blue-eyed Rita (the anarchist British tour guide, the first woman Horvitz ever sleeps with) and the packs of gum she trades with locals on the Trans-Siberian Railway. Read the rest of this entry »
“With Light Steam: A Personal Journey through the Russian Baths,” by Bryon MacWilliams, captures the fractured identity of contemporary Russia with high fidelity in a way that is at once tender and clear-eyed. This book is introspective American travel writing at its best. A genre-defying mosaic of memoir, historical research and a reflection on time and place, “With Light Steam” is easily in a league with “Travels in Siberia,” by Ian Frazier for spectacular American travel writing on Russia.
MacWilliams takes the reader on an insightful, but never belabored tour of the history of Russian baths, which play a major role in the nation’s history if for no other reason than that many major events of Russian history occurred in these steamy rooms (e.g. in an act that initiated the early Russian state as an independent power, its matriarch, Princess Olga, burned to death an entire delegation of Drevlians—a rival tribe—in a banya to revenge her husband’s death). Read the rest of this entry »
“Chicago Portraits” has a simple but noble mission: to celebrate Chicago while highlighting the hard work of Chicago Tribune newsroom photographers, whose names often go unnoticed. While the digital age has cataloged images for all to enjoy, it has also opened doors to intellectual property theft, making it easy for one to print or distribute images and rob photographers, both famous and not so famous, of royalties. Furthermore, technical innovations like tablets, the smartphone, camera apps and social media have allowed too many users to fancy themselves as talented, knowledgeable photographers. This line of thinking hurts the public every bit as much as the professional lensman or woman with a lifetime of craftsmanship: the public expects less of the art itself while legions of trained and talented artists suffer in oblivion. This handsome coffee-table volume offers a chance to momentarily reverse this hateful trend and take in photographs with the proper printing (and credit) their authors deserve. Read the rest of this entry »