By Jarrett Neal
I sat down to dinner with Chicago poet Simone Muench to discuss her new collection “Wolf Centos,” a dazzling yet haunting volume of poems crafted in the Italian tradition of the cento: poems comprised entirely of lines from other poems. Employing the wolf as the primary symbol, these poems address and, indeed, awaken the primal sensibilities in all of us. Muench, whose previous collections include “Orange Crush” and “Lampblack & Ash,” shared the details of her craft, what excites her as a poet, and what makes “Wolf Centos” such a distinct collection.
What was the inspiration for “Wolf Centos”?
Brandi Homan led me to the form; Vasko Popa, Gabriela Mistral, and my childhood malamute Zach, helped guide me to the wolf.
What was your process in writing these poems?
I gleaned through numerous single-authored texts as well as many world anthologies and, in a similar manner to erasure, when a line would light my eye, I’d highlight it. I would go through texts and underline lines and phrases that sparked my attention. Once I was done underlining various lines that “called” to me, I would then transcribe them in a Word document, until I had hundreds of lines. From there I would start the act of stitching the lines together, tailoring something that made sense to me in terms of atmosphere, associative imagery and sonic latticework. Read the rest of this entry »