Making CAKE: Chicago Alternative Comics Expo Features Two Illustrious Days and Dozens of Illustrators

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Move over Comic-Con, you won’t be the only expo drawing in the crowd this summer. Chicago Alternative Comics Expo (CAKE) will have its fourth iteration take place June 6-7 at the Center on Halsted. CAKE celebrates the talented artists behind alternative and underground independent comics during this weekend-long event that features comics for sale, exhibitors, workshops, panel discussions from the pros and more. The icing on the cake is, it’s free and open to the public. Read the rest of this entry »

Graphic Novel Review: “La Lucha—The Story of Lucha Castro and Human Rights in Mexico” By Jon Sack (Author) and Adam Shapiro (Editor)

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“La Lucha, The Story of Lucha Castro and Human Rights in Mexico,” is first in a series of graphic books conceived by Front Line Defenders, an organization based in Ireland whose mission is to protect human rights defenders around the world. Jon Sack and Adam Shapiro have worked together on “La Lucha” to create a graphic book set in Mexico in the state of Chihuahua, for years known as one of the most dangerous places on earth, where drug cartels and a corrupt governing body maintain brutal rule. Read the rest of this entry »

Clowes Encounter: Talking Comics and Chicago with Cartoonist Daniel Clowes

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By Ray Pride

An early spring afternoon a few days ago along Milwaukee Avenue, south of North, east of Damen, so far removed from the Wicker Park of the 1990s: I pause in front of Myopic Books, still standing, surrounded by storefronts peopled by yupscale saloons, Levis, American Apparel, and remember the days when it was Earwax Café, the front windows there? It had two-top tables in both the plate-glass windows where you could watch the passersby on the street, or turn your head, and watch the other customers, and on certain days and nights, catch sight of a clutch of furiously productive scribblers, which could include Chris Ware, Daniel Clowes, Archer Prewitt, Gary Leib, among others. They hadn’t “arrived,” but they were there.

I was, too. The food was cheap and heavy, tending to the vegan, and the ashtrays were as often filled with torn-up notes a writer had digested or an artist had rejected as with ashes. My clearest memory of sighting the young artistes was while awaiting a momentous date with a not-yet-girlfriend, sitting at the table in that window, the girl who looked into small tatters and saw her name, and looking away with mild mortification over her shoulder and catching sight of scribblers off to the side, taking in the smell of the food and the not-quite-burnt coffee in the air before looking back at her blushing face. The scraps, the girl, the general atmosphere: plus the furious nurture of a few of the founding foundlings of the still-spreading school of Chicago cartoonists hunched over a free meal.

Now, in the decades since, Clowes’ lovingly rendered Midwestern grotesques have colonized the consciousness of a couple generations of readers far beyond the Chicago comics scene in the waning of the twentieth century. I like talking to Dan. He laughs easily and scores points quietly. We were talking since the 1990s, but I’ve had agreeable structured, journo-subject interviews with Clowes since at least the 2001 release of the movie of “Ghost World.” We tried to remember if and when our respective pasts might have first crossed in those formative Chicago years. It could have been a gallery opening for Ware’s work, he suggests, but we figure it might also have been at some casual locale like the Rainbo Club, and we had probably bristled at each other at some point or another, with a fine mix of shyness, fear and hostility. “In the way we do—we Chicagoans do,” Clowes agreed, laughing. Read the rest of this entry »

Nonfiction Review: Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948 by Noah Berlatsky

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wonder womanRECOMMENDED

The reason I know a smidgen about comics: I hang out with a lot of geeks. Feminist, sex-positive, queer-friendly geeks. They told me the backstory of Wonder Woman’s creator, William Marston, radical psychologist and happy polyamorist. Jill Lepore explored Marston’s home life in “The Secret History of Wonder Woman,” but Chicago-based culture and comics writer Noah Berlatsky took a deep dive into the marriage of psychology and artwork that is Marston’s enduring pop culture impact.

Even comics skeptics find Wonder Woman unique and titillating. As Berlatsky rightly points out, she’s been a feminist icon for decades, and among certain circles, a kinky queer one. (Lasso of truth? Ladies-only island? Hmm…) Berlatsky illuminates how Wonder Woman—of World War II inception—nods at that era’s values yet still espoused female superiority and pacifism, slyly winked at lesbianism and even may have stood traditional rape and incest narratives on its head. He also focuses appropriately on the artist, Harry Peter, as well as Marston, and shows how even Peter’s idiosyncratic perspective and anatomy bolster the argument that the series was ahead of its time. Read the rest of this entry »

Caturated: Jesus Lizard’s David Yow’s Book of Cat Drawings, reviewed in Cat Drawings

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By Steve Gadlin

David Yow’s book “Copycat (and a litter of other cats)” features a collection of his cat artistry. When my wife picked it up and thumbed through it, she said, “this is pretty good,” and held on to it for another fifteen minutes. In most households, this would constitute a pretty good review. In my home, it meant a little something more.

You see, I also draw cats. A lot of ‘em. A few years ago I started a website called as a joke-slash-social-experiment. A fortuitous trip to ABC’s “Shark Tank” and a deal with Mark Cuban later, it has become an accidental business for me. To date, I’ve drawn 17,228 cats. So if there’s any person in this world who has an excuse to turn her nose at David Yow’s book, it’s my wife. A “pretty good” from her has to be worth at least a “totally awesome” from a non-cat-drawing family. Read the rest of this entry »

Nonfiction Review: “Outside the Box: Interviews with Contemporary Cartoonists” by Hillary Chute

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RECOMMENDED outsidethebox

As the medium of comics continues to grow in both artistic legitimacy and creative diversity, the question arises of how we will handle an inclusive definition of such an eclectic collection of forms. Does an open and encompassing parameter for graphic narrative allow us to recognize works such as Jim Davis’ Garfield strips and the latest run of Marvel’s X-Force series as using the same language, albeit for entirely different purposes and audiences? Can the same terms we use to discuss Alan Moore and Eddie Campbell’s graphic novel “From Hell” work for examining Theodor Geisel’s propaganda cartoons?

It’s because of these questions that University of Chicago professor Hillary Chute is becoming such a valuable voice in the suddenly-no-longer-ironic field of comics scholarship. “Outside the Box” is her third book on comics, following “Graphic Women” and her collaborative work with Art Spiegelman on “MetaMaus.” Chute is such a unique voice largely because she never read comics until well into her graduate school studies, where she experienced Spiegelman’s “Maus” and was immediately taken by it.

As a result, her passion for the medium comes not from any nostalgia but from a scholarly appreciation and understanding. Read the rest of this entry »

Comics Review: “Sex Criminals, Volume I TP: One Weird Trick” by Matt Fraction and Chip Zdarsky

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RECOMMENDED sex-criminals-vol-01-releases

It’s a story as old as civilization itself: A young woman who stops time when she has an orgasm meets a guy with the same thing. Brought together by the whims of circumstance, they fall for each other, and in the throes of a new relationship start robbing banks.

Think “Tristan and Isolde” filtered through Philip K. Dick and you’ve got half of the idea.

The other half is a smart and sex-positive take on the romantic comedy. Suzie (she’s the girl) acts as the narrator for the series, bringing the smutty shenanigans and the sci-fi to a personal level. What makes her and Jon (he’s the guy) so compelling as a romantic pair is the sheer amount of honesty between them. It’s downright refreshing to see adults talking so frankly and intimately about their sexual histories, not as an arousing enticement but as an intimate disclosure. Past partners, masturbatory habits, even musical preferences are shared between them and with us.

It’s a bold approach to sexual comedy, and some of the best work by Matt Fraction (he’s the writer). Largely known as a prominent writer for Marvel Comics, one of his strengths is playing around with multiple levels of plot and mood. He knows when to place a joke about fleshlights and when to spin out lines of near-poetry, as when Suzie describes her first experience with post-climax timelessness: “I was enveloped in silence and color.” Read the rest of this entry »

The Zen of Zines: “King Cat” Reigns Supreme

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By Megan Kirby King-Cat 74

Today, the nineties are glorified as a golden era for independent publishing, a decade when every photocopier ran hot with the printing of punk-rock fanzines and weird-out mini-comics. A lucky few made it big, releasing polished graphic novels with big-name comics publishers. Most just got tired and left the days of staple-bound periodicals behind them.

Through decades of DIY publishing shifts, there’s been a stubborn constant: “King-Cat Comix and Stories,” a zine that John Porcellino has self-published since 1989, and which is released today through his own distro, Spit and a Half. Porcellino started “King-Cat” when he was in high school with simple line comics and hand-written stories about punk rock and mental health, along with tongue-in-cheek fantasy sequences. (One early issue was dedicated to Porcellino’s fictional love affair with Madonna). He often wrote about Illinois, exploring his hometown of Hoffman Estates and the suburbs around Chicago. Read the rest of this entry »

Comics Review: “The Best American Comics 2013” Edited By Jessica Abel, Matt Madden, Jeff Smith

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RECOMMENDED bestamericancomics

“The Best American Comics” is unusual in two respects. For one, it’s more egalitarian than any other volume of the Best American Series. Grant Snider’s introspective webcomics stand deservingly by Alison Bechdel’s excellent and complex graphic novel “Are You My Mother?” But alas, the comics content is less likely to stand alone. The pieces that work best in the 2013 edition are the ones that are either self-contained, like a daily newspaper strip, or make the reader want to rush out and buy the whole work.

Comics’ best attribute is their ability to tell simultaneous narratives with words and images. And they’re like any medium where words are secondary: there are people who groove with a song’s melody, and people who only care for lyrics. The excerpts from “Rachel Rising” and “Annie Sullivan and the Trials of Helen Keller,” both with captions, had just enough story arc to make this reader pencil down their names for future, full-length purchase. Language-less strips have a special challenge, and less ways to clue the reader into the context. It’s easy to give up on them and just skip ahead while vaguely admiring the art. About one-fourth of Best American Comics feels like this, but a beautiful exception is “Grainne Ni Mhaille” by Colleen Doran and Derek McCullough, which tells an Irish immigrant family’s trials via Doran’s gorgeous super-hero style illustration. Read the rest of this entry »

Graphic Novel Review: “Hyperbole and a Half” by Allie Brosh

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Allie Brosh doesn’t post on her web comic Hyperbole and a Half regularly, so when she does it sends quivers through the Internet community. The format of her work is text, maybe a paragraph or two, followed by an illustration of utmost simplicity. Her neckless figures approximate the general form of a torso, with stick arms and legs that nevertheless entirely capture the depth and breadth of the human condition. Her stories are confessional, biographical, and hysterically funny. To this day, her story about moving across the country with two anxious dogs remains one of the funniest things I’ve ever read. Stories we love from online are preserved in the book for those of us who prefer our media on paper, as well as new chapters not available online.

More recently Brosh has written candidly about a debilitating depression she’s suffered and the various ups and downs she’s experienced trying to overcome it. She presents this information bravely and beautifully, with more than a little humor included. Read the rest of this entry »