“Two” is a compelling book of photographs by Evanston photographer Melissa Ann Pinney. Edited and introduced by Ann Patchett, interspersed throughout are ten essays on the theme of twoness written by some of our best contemporary writers, including Barbara Kingsolver, Edwidge Danticat and Richard Russo. Read the rest of this entry »
By Toni Nealie
A young man argues about how to make a martini. It’s a performance, both in the bar and on the page. The man’s friend says, “Look at yourself. Look at how you’re acting.” So the writer does, commenting: “Young people have a flair for, a tendency toward the tumultuous.” In “Regret,” his first prose collection, Ryan Spooner examines ideas about selfhood, social class and masculinity, the male gaze and the tumult of becoming adult. Read the rest of this entry »
By Brendan Buck
When during the summer of 2014 Bill Hillmann made the news for getting gored by a bull, I was shocked but not surprised. When I heard him read publicly months before, my former Columbia College classmate had told a harrowing tale of a pileup he had witnessed during his 2013 trip to Pamplona. Despite the terrible scene described to us that evening, one where he had to drag a body out of the tunnel leading into the arena, Bill said he planned to return and run with the bulls. Later I’d learn Hillmann wasn’t surprised by his goring either. As he writes in his new book “Mozos: A Decade Running with the Bulls of Spain,” his first thought after the horror of it was “Accept it. You knew this day would come.” Read the rest of this entry »
“A City Called Heaven, Chicago and the Birth of Gospel Music,” is a thoroughly researched, dynamic account of gospel music’s history in Chicago over five decades, from the 1920s through the 1960s. Written by music historian Robert Marovich, it provides in-depth biographies of gospel music’s artists, and a riveting narrative of the two great waves of African-American migration north from the Deep South that gave birth to gospel in Chicago.
Gospel music eventually broke the lock that traditional European music had on Chicago’s black establishment churches, and Marovich, founder and editor-in-chief of The Journal of Gospel Music, and host of “Gospel Memories” on Chicago’s WLUW-FM, calls gospel music an “artistic response to the Great Migration…the gospel music community provided the catharsis and affirmation they needed to feel less like strangers in a strange land.” Read the rest of this entry »
The search for identity is always fraught, involving questions that the seeker does not even know to ask at the start of the journey. Dina Elenbogen finds this out firsthand in her new book “Drawn From Water: An American Poet, An Ethiopian Family, An Israeli Story” in which she takes the reader on an exploration to Israel after Operation Moses in 1984, a rescue mission that brought 7,000 Ethiopian Jews to the country. Read the rest of this entry »
“La Lucha, The Story of Lucha Castro and Human Rights in Mexico,” is first in a series of graphic books conceived by Front Line Defenders, an organization based in Ireland whose mission is to protect human rights defenders around the world. Jon Sack and Adam Shapiro have worked together on “La Lucha” to create a graphic book set in Mexico in the state of Chihuahua, for years known as one of the most dangerous places on earth, where drug cartels and a corrupt governing body maintain brutal rule. Read the rest of this entry »
The reason I know a smidgen about comics: I hang out with a lot of geeks. Feminist, sex-positive, queer-friendly geeks. They told me the backstory of Wonder Woman’s creator, William Marston, radical psychologist and happy polyamorist. Jill Lepore explored Marston’s home life in “The Secret History of Wonder Woman,” but Chicago-based culture and comics writer Noah Berlatsky took a deep dive into the marriage of psychology and artwork that is Marston’s enduring pop culture impact.
Even comics skeptics find Wonder Woman unique and titillating. As Berlatsky rightly points out, she’s been a feminist icon for decades, and among certain circles, a kinky queer one. (Lasso of truth? Ladies-only island? Hmm…) Berlatsky illuminates how Wonder Woman—of World War II inception—nods at that era’s values yet still espoused female superiority and pacifism, slyly winked at lesbianism and even may have stood traditional rape and incest narratives on its head. He also focuses appropriately on the artist, Harry Peter, as well as Marston, and shows how even Peter’s idiosyncratic perspective and anatomy bolster the argument that the series was ahead of its time. Read the rest of this entry »
By Toni Nealie
I struggle to write when I sit at my desk for too long. My students freeze when stressed. Chicagoans pine for sun in winter. “How the Body Knows Its Mind” resonated with me because it identifies the science behind what we feel and suggests simple changes to improve our lives. I caught up with neuropsychologist Sian Beilock after her week of presentations around the country.
What was the impetus for the book? How does it follow the work that you did on human performance in your previous book “Choke”?
I think everyone thinks of the mind as telling the body what to do — our thoughts, our feelings, our learning, our ability to perform — reside in our head. As I started doing research for “Choke” I realized what we do with our bodies and our surroundings have a big impact on how we learn and how we feel. No one was really telling that story. Everyone was telling the story about what happens inside our head. There’s a great story to tell about some simple things we can do to feel better, perform better and learn better if we understand a little bit of the science. Read the rest of this entry »
Lindsay Muscato and Write Club Overlord Ian Belknap/Photo: Evan Hanover
By Adrienne Gunn
Write Club, Chicago’s pre-eminent storytelling brawl that pits two writers with opposing themes against one another in front of a live audience, has collected its funniest and most badass bouts into a new anthology, “Bare Knuckled Lit: The Best of Write Club.” The live show, taking place in Chicago on the third Tuesday of every month at The Hideout, prides itself on high-intensity, no-holds-barred matches. How does “Bare-Knuckled Lit” compare? Write Club founder and “overlord” Ian Belknap says, “It’s the difference between hunting on a game preserve, and hunting in the wild; between a fencing match, and a fistfight in a gas station parking lot.” Read the rest of this entry »
“The Girls of Usually” is Lori Horvitz’s debut, bite-sized chunks of memoir from a woman of many places. Now an English professor in North Carolina, Horvitz would periodically interrupt her New York City life in her twenties to traverse Europe. Those twenties were edgy politically and personally. Burdened with a Communist sometimes-boyfriend, living in an AIDS-ravaged neighborhood, Horvitz slowly realized her burgeoning lesbian identity, complicated by her youth.
Her essays stay brief when dealing with her childhood and mid-twenties, growing longer with age and importance. Characters and objects illuminate Horvitz’s history and locale. Communist Russia is defined by blonde, blue-eyed Rita (the anarchist British tour guide, the first woman Horvitz ever sleeps with) and the packs of gum she trades with locals on the Trans-Siberian Railway. Read the rest of this entry »