If you are smart and you like to have a chuckle while you read, then please do yourself a favor and don’t read David Lazar’s clever new book “Who’s Afraid of Helen of Troy: An Essay on Love” in a quiet public place. This erudite romp through romance is to be relished out loud, in the comfort of your own bed or train car—either alone or with some lucky other. Selections might even find themselves on your ex’s voicemail. If you aren’t a scholar of Greek mythology, you might want to keep your aged college texts (or Google) nearby, because you are going to (re)learn a lot. Greek tragedy, after all, has given readers their first roadmap of love. Read the rest of this entry »
The Journey, the Perceptions and the Fakery of Nostalgia: Discussing “The Miles Between Me” with Toni NealieAuthor Profiles, Chicago Authors, Chicago Publishers, Essays, Genres No Comments »
By Amy Danzer
This month, Newcity’s literary editor Toni Nealie releases her debut collection of lyrical essays, entitled “The Miles Between Me.” The essays investigate family mythologies from India and England to New Zealand, Canada and the United States. They explore the range of emotions Nealie experiences as she navigates new landscapes, neighbors and family dynamics, as well as different ways to pass the time, measure distance, travel post-9/11 and deal with loss. Nealie, spurred by her journalistic instinct, infuses the essays with delicious morsels of fascinating facts; her unique vantage point offers fresh perspective on the familiar; and her love of language makes the essays a sheer pleasure to read. I recently had the chance to ask Nealie several questions about her essays via email.
Can you say a little something about the inception of “The Miles Between Me”—what informed the framing of the book?
Moving with my family from Aotearoa New Zealand to the United States weeks before 9/11 flipped my life topsy-turvy. It upended every idea I held about society and myself. All my scaffolding was gone. As a journalist, I had told other people’s stories, but reportage couldn’t get to the heart of my questions. Essaying allowed me to make sense of political and private events. Personal and lyric essays led me to reflect on home, journey and migration. I could ferret out disruptive ideas about parenthood, marriage, race and family history—poking at imagined truths and scratching away at unreliable memories. I could digress and meander and explore without being forced to take a position. Distance and isolation gave me an opportunity to ponder ideas about our flimsy construction of self and our deceptive sense of control. Read the rest of this entry »
By J-L Deher-Lesaint
“What Color Is Your Hoodie? Essays on Black Gay Identity” is Newcity contributor Jarrett Neal’s first book: a collection of personal essays that examine what space the black gay male body occupies in hip-hop culture, sports, mainstream cinema, pornography and, most importantly, everyday life.
How did the book begin, and how long did it take to complete it?
In 2011, I decided to take a break from writing fiction and poetry and give essays a try. When I was a student in the creative writing program at the School of the Art Institute of Chicago, I never took classes in nonfiction and initially felt I didn’t have the reportorial voice I thought essays needed to have. But I had so many feelings I needed to express that I took to essay writing with ease.
For years, I had been holding in a lot of mixed feelings about both the black community and the gay community. I needed some sort of catharsis. “What Color Is Your Hoodie?” is the culmination of it. I began the collection in late 2011, but the collection really began to gather momentum and take shape when George Zimmerman was acquitted of murdering Trayvon Martin. I completed the manuscript in early 2014, and spent the better part of that year querying agents and publishers. I’m happy it found a home at Chelsea Station Editions, an LGBT press. Read the rest of this entry »
Asking No One’s Permission: Jessica Hopper Discusses Her New Collection of Essays on Rock and Radical FeminismChicago Authors, Essays No Comments »
By Liz Baudler
Jessica Hopper’s byline connotes two things: vivid, confrontational description, and criticism with an unabashedly feminist and social conscience. “The First Collection of Criticism by a Living Female Rock Critic” raucously celebrates Hopper’s multidecade career, blaring its politics with the seminal piece “Emo: Where The Girls Aren’t” and veering through rap and rock and girls and boys with joyful and incisive abandon. Read the rest of this entry »
By Amy Friedman
“Whatever you do in this life, make sure you’re the only one who can do it,” Tony Fitzpatrick’s father advised him in the third grade, and hell if he didn’t listen. Artist, author and actor are but a few of his titles, and there’s no doubt that no one can do what Tony does.
“Dime Stories,” the soon-to-be-released foul-mouthed, straight-talk collection of Fitzpatrick’s Newcity columns speaks truth to power, and we’d be wise to heed its warnings and take its advice. Fitzpatrick rails against waste, criticizes the sellout of our political institutions to big money, laments the proliferation of mass shootings and parses various other elements that lead to injustice. These essays examine with sharp focus and acerbic wit our true nature and that of our changing city, rife with new dangers and old problems. Read the rest of this entry »
“Two” is a compelling book of photographs by Evanston photographer Melissa Ann Pinney. Edited and introduced by Ann Patchett, interspersed throughout are ten essays on the theme of twoness written by some of our best contemporary writers, including Barbara Kingsolver, Edwidge Danticat and Richard Russo. Read the rest of this entry »
A young man argues about how to make a martini. It’s a performance, both in the bar and on the page. The man’s friend says, “Look at yourself. Look at how you’re acting.” So the writer does, commenting: “Young people have a flair for, a tendency toward the tumultuous.” In “Regret,” his first prose collection, Ryan Spooner examines ideas about selfhood, social class and masculinity, the male gaze and the tumult of becoming adult. Read the rest of this entry »
Nonfiction Review: Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948 by Noah BerlatskyChicago Authors, Comics/Graphic Novels/Cartoonists, Essays, History No Comments »
The reason I know a smidgen about comics: I hang out with a lot of geeks. Feminist, sex-positive, queer-friendly geeks. They told me the backstory of Wonder Woman’s creator, William Marston, radical psychologist and happy polyamorist. Jill Lepore explored Marston’s home life in “The Secret History of Wonder Woman,” but Chicago-based culture and comics writer Noah Berlatsky took a deep dive into the marriage of psychology and artwork that is Marston’s enduring pop culture impact.
Even comics skeptics find Wonder Woman unique and titillating. As Berlatsky rightly points out, she’s been a feminist icon for decades, and among certain circles, a kinky queer one. (Lasso of truth? Ladies-only island? Hmm…) Berlatsky illuminates how Wonder Woman—of World War II inception—nods at that era’s values yet still espoused female superiority and pacifism, slyly winked at lesbianism and even may have stood traditional rape and incest narratives on its head. He also focuses appropriately on the artist, Harry Peter, as well as Marston, and shows how even Peter’s idiosyncratic perspective and anatomy bolster the argument that the series was ahead of its time. Read the rest of this entry »
By Adrienne Gunn
Write Club, Chicago’s pre-eminent storytelling brawl that pits two writers with opposing themes against one another in front of a live audience, has collected its funniest and most badass bouts into a new anthology, “Bare Knuckled Lit: The Best of Write Club.” The live show, taking place in Chicago on the third Tuesday of every month at The Hideout, prides itself on high-intensity, no-holds-barred matches. How does “Bare-Knuckled Lit” compare? Write Club founder and “overlord” Ian Belknap says, “It’s the difference between hunting on a game preserve, and hunting in the wild; between a fencing match, and a fistfight in a gas station parking lot.” Read the rest of this entry »
By John Freeman
Newspapers may be dying, our publishing industry is at war with Amazon, but a bright spot remains in U.S. letters: the literary essay. In the past decade, writers known for other books and other work have begun working in the form that gave birth to the New Yorker.
These new essayists—from John Jeremiah Sullivan to Elif Batuman, Aleksandar Hemon and Daniel Alarcon—don’t come from the same boys club as the writers of the last heyday of the essay. They are unglossy, smart, deeply stylish and, with her debut collection of essays, “The Empathy Exams,” Leslie Jamison proves she will probably write her way into their company.
Jamison is hardly an underdog. She grew up in Los Angeles, the daughter of a prominent economist, niece to the psychotherapist Kay Redfield Jamison. She attended Harvard and the Iowa Writers’ Workshop, and is currently studying for a Ph.D. at Yale. Her debut novel, “The Gin Closet,” the tale of three generations of women and their tortured family history, received high praise when it appeared in 2010.
And yet it did not prepare readers for “The Empathy Exams.” Written over a period of many years, the book examines how pain both defines and defies us, and meditates on its role in empathy. The title essay recalls a period that Jamison spent as a medical actor, faking ailments in scenarios meant to test doctors of their diagnostic skills and their ability to demonstrate empathy. “Empathy isn’t just listening,” Jamison writes, “it’s asking the questions that need to be listened to.” Read the rest of this entry »