By Brian Hieggelke
I’ve known Michael Lenehan for more than twenty years, in that distant friendly way you know your competitors. He was the top editor of the Chicago Reader from the time we started Newcity until the company was sold in 2007. I knew very little about him—friendly competitors tend to limit their conversations to five minutes or less—other than that he had a devilish grin and the kind of dry wit that feels like it must be skewering you without you even understanding how. What I did know is that he was largely responsible for executing the Reader’s editorial vision all those years, and that he not only once published a 20,000-word story on beekeeping that epitomized what made the Reader different, he wrote it. Lenehan was an editor who was a proven writer.
Now, several years after the sale of the Reader led to his exit from what had been his life’s work, he’s published his first book, “Ramblers: Loyola Chicago 1963—The Team That Changed the Color of College Basketball,” the story of Chicago’s—of Illinois’—only national basketball champion, ever. But even more than digging up the backstory of the hardcourt’s ultimate one-hit wonder, he convincingly constructs a narrative, told with acumen and suspense—that this team, that this national championship game, marked a turning point in the sport and in the country, as we grappled with the final stages of overt racial discrimination. But expect no self-righteous soapboxes here; Lenehan lets the story tell itself by following the fates of three teams that converged in the tournament that year: the Loyola Ramblers; the would-be-dynasty-in-process Cincinnati Bearcats, who like Loyola fielded a starting lineup dominated by African-American players but attacked the game in a wholly different style; and the Mississippi State Bulldogs, a team so white that it had to sneak out of state at night in order to play in an integrated basketball game. Read the rest of this entry »
And you thought watching sports was innocuous. How could it be? Savagery’s long been our best bet at crowding our toughest thoughts out of the brain, so when you’re yelling LET’S GO and WIN IT ALL and GET THE BALL at the bar after you’ve had a few, that’s all fine and well. But if you’re like most fans of basketball, it’s just also the case that you’re not typically thinking about whether you’re watching the largest, most indelible symbol of systematic racial oppression in America—but you are. Or so says David J. Leonard, approximately, in this startlingly thorough scope of zeitgeist, for the western nation so sprawling and divided it can hardly be called one.
Michael Jordan—and the media dream that was the druggy socio-political cloud, which some argue made Barack Obama’s presidency much, much more possible—diverted the division between all citizens so well that the NBA was left in a stupefied hangover of brand identity for years after his final championship triumph in Utah. What this eventually amounted to was the realization that (despite the mega-billions effort to convince otherwise) the NBA is made up of a bunch of black guys. Fine and well, on its face—but before Magic and Larry and MJ’s games and David Stern’s pointed PR savvy took America by storm for two decades, the NBA being a bunch of black guys was certainly not okay with most Americans. Just ask Bill Russell, the greatest competitor Boston ever had, an eleven-time champion as player and coach; he’s hardly even welcome back or remembered in Celticsland, after ruling the NBA in the 1960s. Read the rest of this entry »
Watching the bodies of Olympic athletes move so beautifully and powerfully, we want to get inside their heads. We want to be them, and we believe if we can get inside their heads, maybe, just a little bit, we can. But listening to athletes get interviewed after a match, answering the same questions with the same answers again and again, is never as satisfying as we wish it would be. (Have you seen the “Ryan Lochte Is Terrible at Interviews” video on YouTube?)
In his carefully timed novel “Gold,” British author and journalist Chris Cleave gets inside the minds of these athletes and aspires to more eloquently express the answers to all those questions we have about what it’s really like to be an Olympic athlete. In the end though, it’s not the minds of Olympic athletes we want to slide into—it’s their bodies. That’s not something a book can do. You’ll need a personal trainer if you want to get anywhere near that. Read the rest of this entry »
If you ever saw Walter Payton run, you’ve never forgotten it—not just his elusive speed, but the power that routinely broke tackles. Then there was that exuberant kick with which he finished runs—often gaining additional yards—and which in the fourth quarter made defenders look like slackers who had run out of steam.
For years before the arrival of Chicago Bears head coach Mike Ditka, Payton gained yardage behind offensive lines that were mediocre at best, his margin not just talent but a toughness fostered by his own grueling work ethic: He ran up hills and stadium stands in season and off, and sprinted after each practice play.
He wasn’t the fastest or biggest running back, but Chicago fans learned he was the best all-around runner, blocker and receiver, and probably the best player, pound for pound, in the history of professional football. He was further endeared to fans by his reported penchant for pranks and a publicly self-effacing attitude, underlined by a calm voice more evocative of Michael Jackson than Dick Butkus.
We loved him, but alas, Walter, we hardly knew ye, as Jeff Pearlman’s detailed, thoroughly researched yet also thoroughly readable biography “Sweetness” makes eminently clear. Perfect athletes are perfect people only in adolescent biographies, but after reading this “warts-and-all” book, the reader may be forgivably sad about how lost and misguided Payton often was away from the game he loved, and be deeply wistful at his untimely wasting away from cancer. Read the rest of this entry »
By Eric Lutz
Steve Stone is one of those odd public figures, in sports or elsewhere, who can be simultaneously one of his field’s best minds and also one of its most pompous blowhards.
He’s like that hipster friend who knows more about music than you could ever hope to learn, but—god damn, can you stop talking about the time you yelled “Secret Santa Cruz” at a Lifter Puller show and they played it two songs later? The Bob Nanna version is ten times better anyway.
Stone is equal parts baseball-brilliant and Olympic-caliber name-dropper in his new book, “Said in Stone: Your Game, My Way”—a work sure to bore ninety-two percent of the US population and turn off another seven percent with its semi-self-indulgence.
But for the one percent whose appreciation of America’s pastime goes beyond the Old Style on breezy June afternoons but whose knowledge of the game doesn’t go beyond an intermediate level, Stone’s book will be a good read, stuffed with entertaining anecdotes and comprehensive baseball theory. Read the rest of this entry »
Run, Boy, Run
Thirty years ago, Japanese novelist Haruki Murakami owned a jazz club in Tokyo. It was a tiny place. During the day, he served coffee; at night, the club became a bar. Murakami closed up himself, arriving home as the sun was rising in the sky. It had never occurred to him to do anything else, let alone write fiction. And then, it did. Read the rest of this entry »
You can’t take the New Yorker out of Society of Midland Authors’ recent award-winning biographer and St. Charles resident Judith Testa, and you certainly can’t wash out the dirty mouths of trash-talking baseball players. “Fucking cocksucker this and fucking asshole that—that’s the kind of language that baseball players actually use,” proclaims Testa, who remembers, at age 7, watching Dodgers’ feared pitcher of the 1940s and 1950s and subject of her latest book, Sal Maglie, commonly known as “Sal the Barber.” Testa, a retired NIU art history teacher and author of “Rome Is Love Spelled Backward,” has clearly strayed away from her expertise to delve into her favorite childhood pastime and focused on “the one sport she always truly understood or cared about.” She says of Maglie, “He was really scary—not just to batters but to his audience, even watching him on television,” she says. “He was very sinister, he just conveyed an atmosphere of menace.”
Catching up with Eugene Robinson requires a considerable amount of stamina. The journalist, spoken-word artist, musician, mixed-martial-arts cage fighter and, most recently, author, has a pretty full plate. Last year alone saw the release of “The Narcotic Story,” a much-anticipated work from long-running art-rock phenomenon, Oxbow, a grueling tour itinerary and the release of Robinson’s first book, “Fight: Or, Everything You Ever Wanted to Know about Ass-Kicking but Were Afraid You’d Get Your Ass Kicked for Asking” (Harper).
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Billy goats, black cats and guys nicknamed “Shoeless.” Any local baseball fan should recognize what these things have in common, as they have been among the reasons given by many for the championship drought in Chicago baseball that only recently ended with the White Sox in 2005. These tales are the kind of anecdote that baseball lovers crave, which is where Mickey Bradley and Dan Gordon’s new book comes into play. “Haunted Baseball: Ghosts, Curses, Legends, and Eerie Events” is a “fun and unusual approach to the game of baseball,” says Bradley. Bradley makes his first Chicago appearance in support of his book on December 6 and 7 at Harry Caray’s and the State Street Borders, respectively. As Bradley says, “the best stories are the ones that keep the names of the past alive.”
Chicago’s 2006 Gay Games may have happened over a year ago, but that doesn’t mean people are done reflecting on the event’s success. A recently published photo book, “Gay Games VII: Where the World Meets,” documents the seven-day event, from the rainbow-colored opening at Soldier Field (the shot of 11,600 athletes waving their light-sticks is depicted prominently on the cover) to the closing ceremonies at Wrigley Field. “We had some amazing professionals working for us,” says Tracy Baim, who wrote the accompanying text for the book. “They weren’t told where to take specific shot angles or positions or anything like that.” After 60,000 pictures were submitted, a mere 1,000 were selected, a process that Baim says was based on providing a well-rounded view of what took place. “What are trying to do is provide a balance of the cultural and the athletic…to show what the Gay Games were about and what it meant to Chicago.”