Audrey Petty and Mitchell S. Jackson/Photo: Ben Bowen
By Kim Steele
For a literary festival like Columbia College’s Story Week to remain relevant for nineteen years is quite an accomplishment. This year, it succeeded once again by emphasizing the important and unique relationship between literature and current events; demonstrating that literature is a catalyst for all of us to discuss what is happening in the world around us.
In fact, this year’s theme, “The Power of Words” is, in part, a reaction to the violence in our city and world in the past few months. Eric May, the artistic director of Story Week and an associate professor in creative writing at Columbia, notes how the desire to remain pertinent influences which authors they host as well as the focus of the various panels. In fact, the panel “Fighting Violence: The Power of Words” addressed the relationship between violence and literature head on. It featured Kevin Coval (the author of “The BreakBeat Poets” and the founder of Louder Than A Bomb), Mitchell S. Jackson (“The Residue Years”), Audrey Petty (editor, “High Rise Stories”) and Miles Harvey (editor, “How Long Will I Cry?”). Read the rest of this entry »
Photo: Luis Perez
For Humboldt Parker Lily Be, life is not just a menagerie of thrilling, touching and rip-roaringly hysterical stories. For Lily, it’s personal. And it comes with tamales.
Lily has been a fixture in the storytelling community since 2009. In addition to founding her own show, “Stoop-Style Stories” in August of 2012 with co-host Clarence Browley, Lily has thrown herself into the storytelling scene. She has been featured in an array of programs such as “Do Not Submit,” “I Shit You Not,” “Guts & Glory” and “Essay Fiesta,” to say nothing of countless open mics and appearances on Vocalo and WBEZ, until her appearance at The Moth propelled her into the spotlight, leading to a hands-down victory at The Moth’s StorySLAM competition at the Park West in June of 2013. She was the first Latina to win the competition. Read the rest of this entry »
J.W. Basilo probably wouldn’t describe himself as a freedom fighter, but that just might be what he is. His live lit show LitMash, presented by Chicago Slam Works, is breaking down barriers, proving that labels don’t define us; we are more than that, better than that! A poet doesn’t only need to socialize with (or compete against) poets, for goodness sake. They can journey beyond the enjambed line, befriending paragraphs and one-liners along the way.
At least that’s Basilo’s vision for LitMash, which usually runs the first Monday of every month in the Drinking and Writing Theater at Haymarket Pub & Brewery. The nondiscriminatory literature slam puts poets, storytellers, essayists and standup comics side by side—as long as the piece is six minutes or less, anything goes. Read the rest of this entry »
By Liz Baudler
The Moth GrandSLAM, held on a chilly December night at the Park West, had the feel of a party fueled not just by the energies of ten stellar storytellers competing for the ultimate glory of being the GrandSLAM winner, but by three particular men. Newcity chatted with Brian Babylon and Don Hall—Moth StorySLAM hosts at Martyrs’ and Haymarket Pub and Brewery, respectively—and producer Tyler Greene, about what they’ve seen over the years.
What do you guys think makes a good story?
Don: An ability to not paint yourself as the hero, and structure. If you ask a question in the beginning or you create some sort of “I want to know,” and then you reward the audience with the thing you want to know, then you have a good story. Making mistakes are the best fucking stories because mistakes are things that you learn from. The only thing you learn from success is how to keep doing things the same way. It’s flaying the flesh. And it’s not about therapy. It’s about saying, “this is where I was at, this is a thing I did, it was wrong and I’m stupid or whatever, but this is what I’ve learned and I’m better now.” Don’t tell the story while you’re still bleeding. Wait until it’s a scar. Read the rest of this entry »
Jonathan Eig/Photo: Joe Mazza/Brave Lux
By Toni Nealie
When you’ve had reliable contraception all your life, it’s easy to take it for granted. Now that politicians and religious groups are contesting women’s access to reproductive health care, “The Birth of the Pill: How Four Crusaders Reinvented Sex and Launched a Revolution” is timely. Jonathan Eig has written a compelling, frustrating and enraging account of activist Margaret Sanger, scientist Gregory Pincus, heiress Katharine McCormick, and Catholic gynecologist John Rock, and their race to discover a miracle pill. The group wanted to stop women dying from dangerous contraceptives, abortion, childbirth and exhaustion. They aimed to help couples plan their families and enjoy sex.
Eig, a former reporter and the best-selling author of “Luckiest Man,” “Opening Day” and “Get Capone,” was captivated by the individuals and the important story behind the pill. Crusader Margaret Sanger believed sex was good and that women should have more of it, but it needed to be separated from procreation. That’s where her lifelong quest began. Sanger and her supporters had to invent and test a workable hormone formula, raise money, build alliances and work their way around repressive laws banning information about birth control. Read the rest of this entry »
Top 5 Cafes in which to Draft Your First Novel
Currency Exchange Café, Hyde Park
Filter Café, Wicker Park
Gaslight Coffee Roasters, Logan Square
Kopi A Travelers Café, Andersonville
The Grind Café, Lincoln Square
Top 5 Wintry Short Stories by Stuart Dybek to Enjoy with Hot Cocoa
“Chopin in Winter”
“The Long Thoughts”
Top 5 Russian Short Stories to Enjoy with a Shot of Vodka
“Master and Man,” Leo Tolstoy
“The Clown,” Maxim Gorky
“The Lady With A Dog,” Anton Chekhov
“The Overcoat,” Nikolai Gogol
“The Queen of Spades,” Alexander Pushkin
—Amy Danzer Read the rest of this entry »
Photo: Rebecca Ciprus
Talents from the literary community were on display at the third annual Chicago Book Expo at Columbia College on Saturday, December 6 from 11am-5pm. Eighty-five booths blanketing two floors of the college’s campus at 1104 South Wabash housed authors selling their books, presses promoting works by their authors, and literary journals showcasing their work and providing information on their submission processes to visiting writers; other associations, groups, nonprofits and educational institutions were also on hand to promote their unique approaches to writing and publishing. There was something for every literary taste, from Rose Metal Press’ beautiful hybrid chapbooks to Appoet’s interactive mobile application that transforms two-dimensional stories into three-dimensional tales that interact with the time and space of the reader, to “After Hours,” a literary journal dedicated to the poetry and prose of Chicago authors. Mystery novels, parenting guides and history books also filled the booths of this animated event that drew in about a thousand visitors. Read the rest of this entry »
My mother used to say “good things come in small packages” when I was young. For a while I wore a pin that declared magnum in parvo, which translates as much in little or greatness in small things. That carries over into my love of small, independent publishers. Here’s a list of recent small press books by Midwest authors or publishers, to give or be given these holidays.
“On Immunity: An Inoculation” by Eula Biss, cultural analysis and personal history, from Graywolf Press, 216 pages, hardcover, $24.
“Once I was Cool” by Megan Stielstra, totally cool personal essays, from Curbside Splendor, 202 pages, $15.95.
“Swarm to Glory” by Garnett Kilberg Cohen, sly fiction about endings, from Wiseblood Books, 212 pages, $13.
“King Me” by Roger Reeves, poems about love and masculinity, poverty, class and race relations, from Copper Canyon Press, $15. Read the rest of this entry »
Photo: Joe Mazza/BraveLux
When we began work on the 2012 version of Lit 50, there were some 200 published writers on our long list. This year, there were 437. As always, trimming the list to a mere fifty writers required a certain kind of agony (and a few sleepless nights), but we’re proud of the list we gathered here, and we feel it celebrates the wealth of talent and diversity of Chicago’s literary community.
Close followers of Lit 50 will know this year’s list celebrates writers across all forms: novelists, essayists, poets, graphic novelists, playwrights. Our call to local literary folk yielded a wealth of celebratory news: overseas teaching offers, sealed book deals, hard-earned fellowships and awards. It also introduced dozens of writers that were not already known to us. We’re proud that this year’s Lit 50 includes seventeen writers who are making their first appearance on this list, including Chris Abani, the Nigerian-born writer who escaped a death row sentence in 1991 and now teaches graduate students at Northwestern University. We’re thrilled to add Lindsay Hunter, Cristina Henriquez, and Kate Harding, women whose voices we’ve long admired and whose forthcoming books we’re impatient to read. We’re also eager to welcome a handful of poets, including Roger Reeves, Parneshia Jones, and Roger Bonair-Agard. It’s our crazy hope that in 2016, the “short” list will have doubled once more. But someone’s going to have to bring us some whiskey. (Naomi Huffman)
Lit 50 was written by Liz Baudler, Brendan Buck, Brian Hieggelke, Alex Houston, Naomi Huffman, Megan Kirby, Micah McCrary and John Wilmes
All photos by Joe Mazza/Brave Lux on location at Spertus Institute/Venue SIX10
Read the rest of this entry »
By Naomi Huffman
photo: Evan Hanover
When Dana Norris founded Story Club five years ago, it was an open mic reading and she was “just trying to figure out how to do this thing.” In the years since then, Story Club has launched monthly shows on Chicago’s South Side, and in Minneapolis and Boston. In February, she introduced Story Club Magazine, an online journal that publishes stories performed at reading series in cities across the country.
Just before Story Club Magazine’s second issue went live in early May, I had the pleasure of talking with Dana about Story Club’s success, the struggle of translating performance stories for print, and Chicago’s dynamic storytelling scene.
Tell me about Story Club Magazine.
I’ve been running Story Club for five years, where we’ve had all of these performers going up on stage and just killing it. But sometimes readers would just vanish as soon as the show was over, and I wouldn’t get a chance to tell them how good they were. So, I started doing an audience vote at the end of every show so I could publicly reward their boldness. Winning’s nice, but I also wanted to reward performers by publishing their stories on the Story Club website. We did that for a couple of years, and then started the Story Club South Side show, then Story Club Minneapolis, Story Club Boston. I wanted to publish great stories from those shows and from shows around the country. I wanted a central resource for live lit in print, video and audio so you don’t have to be in the room when a performance is happening to reap the benefits of the story. Read the rest of this entry »