Talents from the literary community were on display at the third annual Chicago Book Expo at Columbia College on Saturday, December 6 from 11am-5pm. Eighty-five booths blanketing two floors of the college’s campus at 1104 South Wabash housed authors selling their books, presses promoting works by their authors, and literary journals showcasing their work and providing information on their submission processes to visiting writers; other associations, groups, nonprofits and educational institutions were also on hand to promote their unique approaches to writing and publishing. There was something for every literary taste, from Rose Metal Press’ beautiful hybrid chapbooks to Appoet’s interactive mobile application that transforms two-dimensional stories into three-dimensional tales that interact with the time and space of the reader, to “After Hours,” a literary journal dedicated to the poetry and prose of Chicago authors. Mystery novels, parenting guides and history books also filled the booths of this animated event that drew in about a thousand visitors. Read the rest of this entry »
My mother used to say “good things come in small packages” when I was young. For a while I wore a pin that declared magnum in parvo, which translates as much in little or greatness in small things. That carries over into my love of small, independent publishers. Here’s a list of recent small press books by Midwest authors or publishers, to give or be given these holidays.
“On Immunity: An Inoculation” by Eula Biss, cultural analysis and personal history, from Graywolf Press, 216 pages, hardcover, $24.
“Once I was Cool” by Megan Stielstra, totally cool personal essays, from Curbside Splendor, 202 pages, $15.95.
“Swarm to Glory” by Garnett Kilberg Cohen, sly fiction about endings, from Wiseblood Books, 212 pages, $13.
“King Me” by Roger Reeves, poems about love and masculinity, poverty, class and race relations, from Copper Canyon Press, $15. Read the rest of this entry »
When we began work on the 2012 version of Lit 50, there were some 200 published writers on our long list. This year, there were 437. As always, trimming the list to a mere fifty writers required a certain kind of agony (and a few sleepless nights), but we’re proud of the list we gathered here, and we feel it celebrates the wealth of talent and diversity of Chicago’s literary community.
Close followers of Lit 50 will know this year’s list celebrates writers across all forms: novelists, essayists, poets, graphic novelists, playwrights. Our call to local literary folk yielded a wealth of celebratory news: overseas teaching offers, sealed book deals, hard-earned fellowships and awards. It also introduced dozens of writers that were not already known to us. We’re proud that this year’s Lit 50 includes seventeen writers who are making their first appearance on this list, including Chris Abani, the Nigerian-born writer who escaped a death row sentence in 1991 and now teaches graduate students at Northwestern University. We’re thrilled to add Lindsay Hunter, Cristina Henriquez, and Kate Harding, women whose voices we’ve long admired and whose forthcoming books we’re impatient to read. We’re also eager to welcome a handful of poets, including Roger Reeves, Parneshia Jones, and Roger Bonair-Agard. It’s our crazy hope that in 2016, the “short” list will have doubled once more. But someone’s going to have to bring us some whiskey. (Naomi Huffman)
Lit 50 was written by Liz Baudler, Brendan Buck, Brian Hieggelke, Alex Houston, Naomi Huffman, Megan Kirby, Micah McCrary and John Wilmes
All photos by Joe Mazza/Brave Lux on location at Spertus Institute/Venue SIX10
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By Naomi Huffman
When Dana Norris founded Story Club five years ago, it was an open mic reading and she was “just trying to figure out how to do this thing.” In the years since then, Story Club has launched monthly shows on Chicago’s South Side, and in Minneapolis and Boston. In February, she introduced Story Club Magazine, an online journal that publishes stories performed at reading series in cities across the country.
Just before Story Club Magazine’s second issue went live in early May, I had the pleasure of talking with Dana about Story Club’s success, the struggle of translating performance stories for print, and Chicago’s dynamic storytelling scene.
Tell me about Story Club Magazine.
I’ve been running Story Club for five years, where we’ve had all of these performers going up on stage and just killing it. But sometimes readers would just vanish as soon as the show was over, and I wouldn’t get a chance to tell them how good they were. So, I started doing an audience vote at the end of every show so I could publicly reward their boldness. Winning’s nice, but I also wanted to reward performers by publishing their stories on the Story Club website. We did that for a couple of years, and then started the Story Club South Side show, then Story Club Minneapolis, Story Club Boston. I wanted to publish great stories from those shows and from shows around the country. I wanted a central resource for live lit in print, video and audio so you don’t have to be in the room when a performance is happening to reap the benefits of the story. Read the rest of this entry »
On March 29, the Nelson Algren Committee will host the twenty-fifth annual Nelson Algren Birthday Party to honor the man who eternalized Chicago’s “drunks, pimps, prostitutes, freaks, drug addicts, prize fighters, corrupt politicians, and hoodlums” with his books “The Man With the Golden Arm,” “Neon Wilderness,” and “Chicago: City on the Make.”
This year would mark Algren’s 106th birthday—which actually falls on March 28—but the festivities planned are lively: theater mainstays Donna Blue Lachman and Bob Swann will be presenting Algren’s work with folksinger Mark Dvorak, filmmaker Tom Palazzolo, actor-director Nate Herman, activist Robert Lopez, and novelist Christopher Corbett. Poetry readings, excerpts from the in-progress documentary, “Nelson Algren: The End is Nothing, The Road is All,” and a tribute to Algren’s lover Simone de Beauvoir. Read the rest of this entry »
Top 5 Books from Chicago Authors in 2013
“Little Known Facts” by Christine Sneed
“Don’t Kiss Me” by Lindsay Hunter
“Chicago By Day and Night” by Bill Savage and Paul Durica
“The Distancers” by Lee Sandlin
“Raven Girl” by Audrey Niffenegger
Top 5 Live Lit Series
The Paper Machete
Guts and Glory
—Naomi Huffman Read the rest of this entry »
By Jeff Gilliland
Another wrinkle has emerged in the twisted tale of “The Diary of Malcolm X.” Shortly after our November 14 cover article—“Necessary Means: ‘The Diary of Malcolm X’ and the Fight for an American Legacy”—went to print, attorneys for some of Malcolm’s heirs brought a copyright infringement lawsuit against the book’s publisher, Third World Press. Filed in the District Court for the Southern District of New York, the complaint accuses Chicago-based Third World Press of entering into an unlawful agreement with the editors of the “Diary,” and repeatedly ignoring requests to cease from publishing the text. On November 8, presiding judge Laura Taylor Swain issued a temporary restraining order on the release of the “Diary,” which has been extended until preliminary arguments can be heard in January, 2014. The plaintiff in the lawsuit is X Legacy, LLC, a legal entity created by five of the six Shabazz sisters in 2011 “to protect, consolidate, and enhance the value of the assets and properties relating to the beneficiaries of…Malcolm X.” According to the text of the suit, the sisters formed the limited liability corporation to prevent any member of Malcolm’s family from unilaterally licensing or exploiting his assets without permission from the rest of the heirs. When third sister Ilyasah Al-Shabazz entered into a publishing contract with Third World Press, the suit alleges, she did so without X Legacy’s consent and without “any ownership rights or authority…to copy, publish, or disseminate the Diaries.” Read the rest of this entry »
By Jeff Gilliland
On April 15, 1964, a passenger jet touched down in Cairo and a tall, lean black man stepped out into the glaring sun. His travel documents read “Malik El-Shabazz,” but to many of those who glimpsed their reflection in his horn-rimmed glasses that day, he was known by another name: Malcolm X. The famed black nationalist and civil rights leader was fresh off his contentious split with the Nation of Islam, which he had helped grow from a small religious sect headquartered in Chicago to a nationwide movement for economic and social empowerment. Now he was on his way to make the Hajj, the pilgrimage to Mecca that marks one of the five pillars of Islam. Though he may not have known it at the time, the voyage Malcolm began that day would profoundly alter his religious beliefs and racial philosophy—bringing him out of the shadow of Nation of Islam leader Elijah Muhammad, and establishing a legacy that continues to this day. Read the rest of this entry »
Start your Halloween celebration off with The All Hallows’ Eve Eve Variety Show at the California Clipper, an intimate bar with its own resident ghost. All proceeds from the show benefit one of Chicago’s newest literary institutions, the Chicago Publisher’s Resource Center (ChiPRC). ChiPRC founder John Wawrzaszek opened the center earlier this year as a way to support all things publishing-related.
Over email, John says that his goal for the center is “to cover all areas of publishing since that definition has been growing.” He went on to describe ChiPRC, located at 858 North Ashland, as “an accessible and affordable space that allows the community to complete publishing-based projects. It offers resources that are physical such as equipment needed to self-publish work or educational such as workshops that focus on craft and process.” Read the rest of this entry »
Nearly a year ago, writers Keith Ecker and Sam Irby created the literary series Guts & Glory to give authors an environment to try out their newer, riskier writing. “While the [live lit] community had really flourished, I noticed that there wasn’t a venue for artists to share their most vulnerable works. I personally had topics I wanted to explore in my writing that I knew would push the envelope of what would be considered acceptable at a lot of shows,” Ecker says.
If starting a live literary series is the thing to do these days, what sets this one apart from the rest? First of all, the environment. The series takes place once a month in what Ecker calls the “barebones venue” in the back of Powell’s Bookstore. Christmas lights are hung along the exposed brick wall, creating a raw, intimate environment for the readers and its audience. “We aren’t about big production value. We’re about that connection between the artist and the audience in its purest form. And because of the incredibly supportive atmosphere that Sam and I have fostered, our artists feel comfortable being incredibly vulnerable and our audiences are eager to listen,” Ecker says. Read the rest of this entry »