By Naomi Huffman
photo: Evan Hanover
When Dana Norris founded Story Club five years ago, it was an open mic reading and she was “just trying to figure out how to do this thing.” In the years since then, Story Club has launched monthly shows on Chicago’s South Side, and in Minneapolis and Boston. In February, she introduced Story Club Magazine, an online journal that publishes stories performed at reading series in cities across the country.
Just before Story Club Magazine’s second issue went live in early May, I had the pleasure of talking with Dana about Story Club’s success, the struggle of translating performance stories for print, and Chicago’s dynamic storytelling scene.
Tell me about Story Club Magazine.
I’ve been running Story Club for five years, where we’ve had all of these performers going up on stage and just killing it. But sometimes readers would just vanish as soon as the show was over, and I wouldn’t get a chance to tell them how good they were. So, I started doing an audience vote at the end of every show so I could publicly reward their boldness. Winning’s nice, but I also wanted to reward performers by publishing their stories on the Story Club website. We did that for a couple of years, and then started the Story Club South Side show, then Story Club Minneapolis, Story Club Boston. I wanted to publish great stories from those shows and from shows around the country. I wanted a central resource for live lit in print, video and audio so you don’t have to be in the room when a performance is happening to reap the benefits of the story. Read the rest of this entry »
On March 29, the Nelson Algren Committee will host the twenty-fifth annual Nelson Algren Birthday Party to honor the man who eternalized Chicago’s “drunks, pimps, prostitutes, freaks, drug addicts, prize fighters, corrupt politicians, and hoodlums” with his books “The Man With the Golden Arm,” “Neon Wilderness,” and “Chicago: City on the Make.”
This year would mark Algren’s 106th birthday—which actually falls on March 28—but the festivities planned are lively: theater mainstays Donna Blue Lachman and Bob Swann will be presenting Algren’s work with folksinger Mark Dvorak, filmmaker Tom Palazzolo, actor-director Nate Herman, activist Robert Lopez, and novelist Christopher Corbett. Poetry readings, excerpts from the in-progress documentary, “Nelson Algren: The End is Nothing, The Road is All,” and a tribute to Algren’s lover Simone de Beauvoir. Read the rest of this entry »
Start your Halloween celebration off with The All Hallows’ Eve Eve Variety Show at the California Clipper, an intimate bar with its own resident ghost. All proceeds from the show benefit one of Chicago’s newest literary institutions, the Chicago Publisher’s Resource Center (ChiPRC). ChiPRC founder John Wawrzaszek opened the center earlier this year as a way to support all things publishing-related.
Over email, John says that his goal for the center is “to cover all areas of publishing since that definition has been growing.” He went on to describe ChiPRC, located at 858 North Ashland, as “an accessible and affordable space that allows the community to complete publishing-based projects. It offers resources that are physical such as equipment needed to self-publish work or educational such as workshops that focus on craft and process.” Read the rest of this entry »
Nearly a year ago, writers Keith Ecker and Sam Irby created the literary series Guts & Glory to give authors an environment to try out their newer, riskier writing. “While the [live lit] community had really flourished, I noticed that there wasn’t a venue for artists to share their most vulnerable works. I personally had topics I wanted to explore in my writing that I knew would push the envelope of what would be considered acceptable at a lot of shows,” Ecker says.
If starting a live literary series is the thing to do these days, what sets this one apart from the rest? First of all, the environment. The series takes place once a month in what Ecker calls the “barebones venue” in the back of Powell’s Bookstore. Christmas lights are hung along the exposed brick wall, creating a raw, intimate environment for the readers and its audience. “We aren’t about big production value. We’re about that connection between the artist and the audience in its purest form. And because of the incredibly supportive atmosphere that Sam and I have fostered, our artists feel comfortable being incredibly vulnerable and our audiences are eager to listen,” Ecker says. Read the rest of this entry »
By Kathleen Caplis
He’d had a long ride home from Chicago, performer Ozzie Totten explained during 2nd Story’s sixth annual PRIDE event. His friend’s dad, Harvey, was traveling for business and offered him a ride home to Minnesota, and Totten, at the time a student at Loyola University, saw it as a free and easy way to travel back home for winter break. Totten had identified as gay since age fifteen, grew up in an accepting atmosphere, and always felt welcome in his home, his community, his church. But on that car ride home, it became apparent that not everyone felt comfortable enough to be openly gay in their community.
As Totten took his shift behind the wheel, Harvey began to talk of his past visits to Chicago—to see his boyfriend. Before this, Totten saw Harvey as a happily married man, but he realized he had been holding a secret, and now Totten had no choice but to keep the revelation from Harvey’s daughter, with whom he was close friends, for fear of splitting their family apart. It placed Totten in an uncomfortable situation. He understood Harvey’s apprehension; he’d heard stories of friends being kicked out of their homes after coming out. But Harvey chose not to come out to his family for several decades. Reflecting on that car ride home, Totten now understands Harvey’s need to tell someone, anyone—to have his story heard. Read the rest of this entry »
(This event has been POSTPONED. Click here for rescheduling details.)
The Guild Literary Complex introduces its newest production, Applied Words, on Tuesday, July 9, with the first of three performances planned between now and October; this one, called “Broken Windows,” kicks off the “urban design”-themed reading series. The special event invites writers to muse on stories of specific Chicago social and communal sensibilities that have originated and evolved from their relationship with their surrounding material environment.
Designed to translate urban design into a defining language of our city, “Broken Windows” brings wordsmiths to a free public stage for audience members to consider, learn and digest the social history behind the mortar, metal, conflict and politics of where a community lives and works. According to Guild’s website, the “Broken Windows” engagement aims to narrate the human factor that’s at stake behind “community ailments such as trash, graffiti and loitering” through the literary arts. Read the rest of this entry »
Gwendolyn Brooks, the late Pulitzer Prize-winning poet, became a legend not only because of her writing, but also because of her selfless efforts to give back to the Chicago community, and now the community returns the favor. In honor of her writing as well as her continual encouragement to aspiring writers, the Guild Literary Complex, Third World Press and The American Writers’ Museum will be sponsoring Brooksday, a marathon reading of Brooks’ work on June 7, from 9am-7:30pm. A collection of about seventy readers, including community leaders, high-school students and well-known writers, will spend eleven hours reading her work at the Chicago Cultural Center. Read the rest of this entry »
By John Wawrzaszek
Chicago proclaims print is not dead. Annual events like the Chicago Zine Fest (March 8-9) and the Chicago Alternative Comics Expo, or “CAKE,” (June 15-16) are evidence of the growing local support for Chicago’s self-publishing community. The latest to join the cause is the University of Chicago Library, as they present “My Life is an Open Book: DIY Autobiography,” an exhibition focusing on woman self-publishers from Chicago.
The university’s library has been actively collecting zines and self-published materials for their catalog. “We were very excited by their diversity and how alive they feel,” says Sarah Wenzel, bibliographer for Literatures of Europe & the Americas at the university. “We thought other people would like to see the artistry, writing and variety of the collection.” And that is exactly what you can expect from the exhibit. Local self-publishers and artists are featured on display, ranging from personal zines to mini-comics. Read the rest of this entry »
After writing a business book in 2010, local consultant and speaker Mare Swallow searched for a writing conference in Chicago to meet publishing professionals, and gain some advice on the business side of writing. But she discovered that, despite being an active literary city, Chicago offered no such conference.
“I looked and looked and looked, but there was nothing like that,” Swallow says. “So I created it.”
Funded by a successful Kickstarter campaign (for which Chicago’s own OK Go gave the rights to use their music), the first annual Chicago Writers Conference (CWC) will be held September 14-16 at the Tribune Tower. While local festivals like Printers Row Lit Fest (a CWC partner) and Columbia College’s Story Week tend to focus on visiting authors and the writing process, the CWC seeks to fill a gap by shining the spotlight on networking, querying, publishing and promotion for writers of all genres. Read the rest of this entry »
By Greg Baldino
On July 24, a party was held in the lobby of the Inland Steel Building to celebrate the launch of “Shadow Show: All-New Stories in Celebration of Ray Bradbury” on Chicago soil. The book, edited by Bradbury biographer Sam Weller and polymath Mort Castle, had officially debuted at the San Diego Comic Con with contributors Margaret Atwood and Joe Hill, but on that Tuesday the book’s Midwestern roots were trumpeted. On hand were the editors themselves, proud as parents, as well as a roster of Chicago and Midwest literary talent: Joe Meno, Bonnie Jo Campbell, Audrey Niffenegger, Jay Bonansinga and Bayo Ojikutu—all of whom had penned original stories for the volume.
Nursing one of several beers enjoyed that night (less for the alcoholic buzz than for something cold to wipe across my brow in the summer heat), I was surprised to see an artist friend in the audience. They’d walked in off the street, believing the party to be a reception for the collection of local club posters that decorated the space. Read the rest of this entry »