Disclaimer: I have read for Loose Chicks. So have some of my friends and associates. This is not why I would tell someone to see Loose Chicks. I would tell women writers to see Loose Chicks for an evening of intimate and artifice-free reading by a diversity of female storytellers from around Chicago. Because quite frankly, I have had it with fiction that is boring and bro-ish, and I want to hear about real life—all the better if a woman gets the mic. Read the rest of this entry »
Scott Whitehair is living his dream. As a storyteller prominent within Chicago’s live lit scene, he’s crafted a life’s work out of what had previously been seen as a personality quirk. In fact, just recently an old friend of his remarked, “It’s nice to see people asking you to do the thing you were always getting yelled at for when you were twelve.” Read the rest of this entry »
Like so many good things, the Naked Girls Reading series materialized from a happy accident. When international showgirl Michelle L’amour’s husband Franky Vivid happened upon her reading in the buff one eve, inspiration set in. The two of them first thought of nakedgirlsreading.com as a funny, novel idea. But after a test run with a couple of willing burlesque troupe members, Naked Girls Reading took form and took off. The show just celebrated its sixth year and now has chapters in twenty-five cities across the world, with three more in the works, one of which is slated to open in Berlin.
The show is exactly as it sounds: a live literary event where unclothed women read. Michelle L’amour and The Chicago Starlets–Honey Halfpint, Greta Layne, Lady Ginger, and Sophia Hart–enter the candlelit room in silky dressing gowns and before they sit down to lounge on a Victorian sofa or plush chair to read, they disrobe completely. They’re adorned only by extended eyelashes, a distinguishing something or other–ruby earrings, horn-rimmed glasses, purple velvet pumps–and gorgeous cravats provided by Sammy the Tramp, a local Vaudevillian performer and Mash Up Tie merchandiser. Read the rest of this entry »
By Liz Baudler
The Moth GrandSLAM, held on a chilly December night at the Park West, had the feel of a party fueled not just by the energies of ten stellar storytellers competing for the ultimate glory of being the GrandSLAM winner, but by three particular men. Newcity chatted with Brian Babylon and Don Hall—Moth StorySLAM hosts at Martyrs’ and Haymarket Pub and Brewery, respectively—and producer Tyler Greene, about what they’ve seen over the years.
What do you guys think makes a good story?
Don: An ability to not paint yourself as the hero, and structure. If you ask a question in the beginning or you create some sort of “I want to know,” and then you reward the audience with the thing you want to know, then you have a good story. Making mistakes are the best fucking stories because mistakes are things that you learn from. The only thing you learn from success is how to keep doing things the same way. It’s flaying the flesh. And it’s not about therapy. It’s about saying, “this is where I was at, this is a thing I did, it was wrong and I’m stupid or whatever, but this is what I’ve learned and I’m better now.” Don’t tell the story while you’re still bleeding. Wait until it’s a scar. Read the rest of this entry »
By Naomi Huffman
When Dana Norris founded Story Club five years ago, it was an open mic reading and she was “just trying to figure out how to do this thing.” In the years since then, Story Club has launched monthly shows on Chicago’s South Side, and in Minneapolis and Boston. In February, she introduced Story Club Magazine, an online journal that publishes stories performed at reading series in cities across the country.
Just before Story Club Magazine’s second issue went live in early May, I had the pleasure of talking with Dana about Story Club’s success, the struggle of translating performance stories for print, and Chicago’s dynamic storytelling scene.
Tell me about Story Club Magazine.
I’ve been running Story Club for five years, where we’ve had all of these performers going up on stage and just killing it. But sometimes readers would just vanish as soon as the show was over, and I wouldn’t get a chance to tell them how good they were. So, I started doing an audience vote at the end of every show so I could publicly reward their boldness. Winning’s nice, but I also wanted to reward performers by publishing their stories on the Story Club website. We did that for a couple of years, and then started the Story Club South Side show, then Story Club Minneapolis, Story Club Boston. I wanted to publish great stories from those shows and from shows around the country. I wanted a central resource for live lit in print, video and audio so you don’t have to be in the room when a performance is happening to reap the benefits of the story. Read the rest of this entry »
Nearly a year ago, writers Keith Ecker and Sam Irby created the literary series Guts & Glory to give authors an environment to try out their newer, riskier writing. “While the [live lit] community had really flourished, I noticed that there wasn’t a venue for artists to share their most vulnerable works. I personally had topics I wanted to explore in my writing that I knew would push the envelope of what would be considered acceptable at a lot of shows,” Ecker says.
If starting a live literary series is the thing to do these days, what sets this one apart from the rest? First of all, the environment. The series takes place once a month in what Ecker calls the “barebones venue” in the back of Powell’s Bookstore. Christmas lights are hung along the exposed brick wall, creating a raw, intimate environment for the readers and its audience. “We aren’t about big production value. We’re about that connection between the artist and the audience in its purest form. And because of the incredibly supportive atmosphere that Sam and I have fostered, our artists feel comfortable being incredibly vulnerable and our audiences are eager to listen,” Ecker says. Read the rest of this entry »
He’d had a long ride home from Chicago, performer Ozzie Totten explained during 2nd Story’s sixth annual PRIDE event. His friend’s dad, Harvey, was traveling for business and offered him a ride home to Minnesota, and Totten, at the time a student at Loyola University, saw it as a free and easy way to travel back home for winter break. Totten had identified as gay since age fifteen, grew up in an accepting atmosphere, and always felt welcome in his home, his community, his church. But on that car ride home, it became apparent that not everyone felt comfortable enough to be openly gay in their community.
As Totten took his shift behind the wheel, Harvey began to talk of his past visits to Chicago—to see his boyfriend. Before this, Totten saw Harvey as a happily married man, but he realized he had been holding a secret, and now Totten had no choice but to keep the revelation from Harvey’s daughter, with whom he was close friends, for fear of splitting their family apart. It placed Totten in an uncomfortable situation. He understood Harvey’s apprehension; he’d heard stories of friends being kicked out of their homes after coming out. But Harvey chose not to come out to his family for several decades. Reflecting on that car ride home, Totten now understands Harvey’s need to tell someone, anyone—to have his story heard. Read the rest of this entry »
By Ella Christoph
Michael Robbins’ poetry demands to be read aloud, so long as you’re not among the virtuous. In the poem “Bubbling Under,” he proclaims, “I live by the alien logic we impose on children./Whoever smelt it dealt it. I’m glazed with K-Y/beside the Goth girls gone haywire. Talk about cathexis!” His debut collection of poems, “Alien vs. Predator,” was published at the end of March, but it was only a couple weeks ago that a drooling review on the cover of the New York Times’ Arts section helped skyrocket “AvP,” briefly, to the number one and two (paperback and Kindle) spots on Amazon’s American Poetry bestseller list. Robbins has immortalized the screenshot on his tumblr. Robbins, who completed his PhD at the University of Chicago last year, recently returned to his Andersonville apartment after a yearlong stint as a writer-in-residence at The University of Southern Mississippi. Read the rest of this entry »
By Marla Seidell
Back together for the first time since they shared the stage with Allen Ginsberg in New Jersey in 1997, Guild Literary Complex founders Michael Warr, Patricia Smith and Luis Rodriguez will gather at Jak’s Tap on March 1 for a special reading to commemorate their extensive contribution to the poetry performance movement that swept the Windy City and the country in the eighties and nineties.
Coinciding with the reading are the writers’ recently published books: Smith’s book of performance poetry, “Shoulda Been Jimi Savannah,” (Coffee House Press, 2012, $16), Rodriguez’s memoir, “It Calls You Back: An Odyssey Through Love, Addiction, Revolutions and Healing,” (Touchstone Books, 2011, $25) and Warr’s latest volume of poetry, “The Armageddon of Funk,” (Tia Chucha Press, 2011, $16), which won the “Honor Books For Poetry” Award from The Black Caucus of the American Library Association. With the Guild founders reading from present and past works, the event recalls the writers’ early days in late-eighties Chicago, when they gathered for readings at the Red Lion Pub (now closed) on Lincoln Avenue. Read the rest of this entry »
By Ella Christoph
A year ago, days into the protest in Tahrir Square, news stories breathlessly proclaimed the importance of social media in the massive participation of Egyptian youth in a revolution few saw coming. Facebook pages, Tweeting—all of a sudden they were validated, by a monumental, real-world event. But as the protests raged on, Americans knew few of the details of how, exactly, all this social media was mobilizing hundreds of thousands of people living under oppressive regimes.
And neither Egyptians nor the rest of the world knew the name, or the face, behind a Facebook page that was pivotal in catalyzing the protests. Who was the anonymous “Admin” behind the Facebook page “I am Khaled Said”—the page that first suggested, and then coordinated, the momentous January 25th protests? Read the rest of this entry »