It’s been a deadly year for Chicago writers, with the passing of Roger Ebert, Richard Stern, David Hernandez and, just last week, Father Andrew Greeley. Not to mention the dead-woman-walking status achieved by Rachel Shtier, whose ill-conceived New York Times Book Review takedown of Chicago turned her into this city’s most universally disliked resident since, perhaps, John Wayne Gacy. So a sense of what we’d lost pervaded the creation of this year’s Lit 50, this time around celebrating not so much the writers who occupy the center stage, but those who operate behind the scenes to make sure the stage itself exists. The process, as excruciating as it is, always renews our optimism for the literary Chicago that carries on, bigger and better every year, even diminished by its inevitable losses. This year’s increasingly long short-list reached new magnitudes, with 360 folks under consideration for just fifty nods. Needless to say, a slight tilt in another direction, and an entirely different Lit 50 could have been created. But so it goes. (Brian Hieggelke)
Written by Brian Hieggelke and Naomi Huffman, with Greg Baldino and Kathleen Caplis. See previous years here. Read the rest of this entry »
Power in Chicago has been passed on. No, we’re not talking about that little office in City Hall, but that Oprah, she of the book club that long perched her atop this list, has flown the coop. So now it’s official. The City of Big Shoulders is Poetry’s town. It’s unlikely that Carl Sandburg would have ever imagined such an unlikely outcome when he crafted the city’s calling card, in verse, but it’s not even debatable. Not only can we claim Poetry magazine, the premier publication of its kind anywhere, but its wealthy sibling the Poetry Foundation will open a whole building dedicated to the form later this month. Plus, this is the town that created the Poetry Slam as well as Louder Than a Bomb, the largest teen slam anywhere. Talk about poetic justice. Read the rest of this entry »
Is it wrong to feel optimistic? You couldn’t be blamed if you didn’t. Yet while the country’s economy crumbles around us and less and less funds are available for the producers of the printed word, those in the literary world are finding new and inventive ways to stay afloat. We will not go down without a fight, and progress, of course, is key. So is awareness—in order to get the word out more efficiently (and, likely, to untether itself from the uncertain future of the paper form), Printers Row Book Fair changed its name from “Book Fair” to “Lit Fest” to have a title that better fully represents the weekend’s events, in time for its twenty-fifth anniversary edition. As is our custom, we time our annual Lit 50 list to the weekend’s events; this year’s list of local behind-the-scenes literati—no straight-up authors or poets this time—covers a large spectrum of Chicago’s world of words. As with past years we sought out those behind the smaller presses as well as the monumental figures. Some new names have emerged and many staples appear again, but all tirelessly labor to bring this ancient art to the community at large. Read the rest of this entry »
Honestly, do you really need to hear once more that the music industry is, uh, changing? That much you already know. What you might not know is exactly how artists developed new ways to funnel their music to the public, how fans themselves became mouth-to-mouth (or file to file) distributors and live music has become even more essential in the marketplace. In essence, how boomboxes and CD players gave way to laptops and the Internet. Chicago Tribune music critic and co-host of “Sound Opinions” Greg Kot chronicles this progression in his new book, “Ripped: How the Wired Generation Revolutionized Music,” which hits shelves this week. To achieve a greater understanding of where exactly the music business is at the present-plus, with all probability, where it’s headed-Kot’s analysis can work as a textbook. Now if I could just figure out how to open this .rar file…(Tom Lynch)
Greg Kot discusses “Ripped” May 27 at 57th Street Books, 1301 East 57th, (773)684-1300, at 6pm. Free.
By Michael Nagrant
He might eat foie gras on occasion, but even if you’re an animal-rights advocate, there’s no question that Mark Caro is a great human being. The Chicago Tribune scribe and author of the new book “The Foie Gras Wars” gave a reading at Borders in Lakeview last Thursday. He opened the affair with a duck joke told by his young daughter, which engendered a bout of crying from his other daughter who was a tad jealous of her sibling’s moment in the limelight.
As the father of a 2-year-old, I’m pretty sure I would be terrified and would be shuttling off my son in a similar moment. Instead, Caro gallantly humored his daughters, and continued to allow their occasional involvement, while he entertained with rapturous story and smartly answered questions for over an hour. Read the rest of this entry »
Chicago’s book world can be a quiet place. In part due to the solitary nature of the work, and in part due to the void of publishing parties that keep New York’s assorted gawkers journaling away, it’s easy to think nothing new is happening. Jeffrey Eugenides moves to town, Jeffrey Eugenides moves away, and no one seems to notice. Then, bam!, Aleksandar Hemon publishes “The Lazarus Project,” the comparisons to Nabokov resume and suddenly we’re the center of the universe again, if only for a moment.
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