by Sadaf Ferdowsi | May 22, 2023Like a Joni Mitchell Song: A Review of Amy Key’s “Arrangements in Blue”
by Sadaf Ferdowsi | April 17, 2023From Bourdieu to Buffy: How Clément Petitjean Wrote “Occupation: Organizer”
by Sadaf Ferdowsi | February 20, 2023I Have No Easy Answers for You: An Interview with Rebecca Makkai
by Sadaf Ferdowsi | September 19, 2022Life Is But A Dream: A Review of Rita Woods’ “The Last Dreamwalker”
by Sadaf Ferdowsi | May 5, 2022Why Are We So “Ill?”: A Review of Sarah Fay’s “Pathological: The True Story of Six Misdiagnoses”
by Sadaf Ferdowsi | October 25, 2021The Mirror Faces of Love and Loss: A Review of Laurie Easter’s “All the Leavings”
by Sadaf Ferdowsi | June 7, 2021Everything You Wanted to Know about DAPL But Were Too Afraid to Ask: A Review of Black Snake by Katherine Wiltenburg Todrys
by Sadaf Ferdowsi | October 12, 2020Lights, Camera, Essay: A Review of David Lazar’s “Celeste Holm Syndrome”
by Sadaf Ferdowsi | June 17, 2019The Logics of Literature as the Logics of Democracy: Speaking with Aleksandar (Sasha) Hemon
