January 16, 2020 at 8:00 am by Tara BettsWith New Eyes: A Review of “Surround Sound: Reflections and Profiles by The Students of 826CHI at the 2019 Pitchfork Music Festival”
December 19, 2019 at 3:15 pm by Hugh IglarshMelancholic Beauty: A Review of Tom Palazzolo’s “Clark Street”
December 16, 2019 at 8:00 am by Colin S. SmithThe Power of Noticing: A Review of Spencer Tweedy’s “Observations: Year One”
November 25, 2019 at 8:00 am by Donald G. EvansA Woman Before the Chicago Fire: A Review of Ann Durkin Keating’s “The World of Juliette Kinzie: Chicago Before the Fire”
November 11, 2019 at 8:00 am by L.D. BarnesThe King of the Black Belt: A Review of Don Hayner’s “Binga: The Rise and Fall of Chicago’s First Black Banker”
October 17, 2019 at 8:00 am by Frank TemponeBetween Homeland and Becoming American: A Review of Dominic Pacyga’s “American Warsaw”
October 10, 2019 at 8:00 am by Amy Strauss FriedmanA Year of Haiku Against Injustice: A Review of Khari B.’s “Haiku 4 Justice”
September 23, 2019 at 8:00 am by Tara BettsThe Branches and Roots of Policing: A Review of Laurence Ralph’s “The Torture Letters: Reckoning with Police Violence”
September 12, 2019 at 8:00 am by Frank TemponeA Novel in the Key of Its Characters: A Review of “Jenny in Corona” by Stuart Ross
