January 16, 2020 at 8:00 am by Tara BettsWith New Eyes: A Review of “Surround Sound: Reflections and Profiles by The Students of 826CHI at the 2019 Pitchfork Music Festival”
January 10, 2020 at 8:00 am by Robert KingettFour Disability Anthologies That Are Actually Authentic: A Review of “About Us,” “Firsts,” “Nothing Without Us” and “Defying Doomsday”
December 19, 2019 at 3:15 pm by Hugh IglarshMelancholic Beauty: A Review of Tom Palazzolo’s “Clark Street”
December 16, 2019 at 8:00 am by Colin S. SmithThe Power of Noticing: A Review of Spencer Tweedy’s “Observations: Year One”
December 9, 2019 at 8:00 am by L.D. BarnesThe Late, the Great, the Front and Side Players: A Review of “Blues Legacy: Tradition and Innovation in Chicago” by David Whiteis
December 5, 2019 at 8:00 am by Timothy ParfittIrresistible Destruction and Building Understanding: A Review of Nathanaël’s “Hatred of Translation”
November 25, 2019 at 8:00 am by Don EvansA Woman Before the Chicago Fire: A Review of Ann Durkin Keating’s “The World of Juliette Kinzie: Chicago Before the Fire”
November 19, 2019 at 8:00 am by L.D. BarnesChronicling Chicago Gangsters: A Review of “The Kosher Capones” by Joe Kraus
November 14, 2019 at 8:00 am by Joshua BohnsackChallenging Ghosts: A Review of Andre Perry’s “Some of Us Are Very Hungry Now”
